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Extract from
Sri Arunachala Puranam: Vignettes
By J.
Jayaraman
The
Skanda Mahapurana and a portion
from the Linga Purana were translated into Tamil verse by Saiva
Ellappa Naavalar, who lived about three hundred years ago during the
reign of the Tanjore Nayaks. Running to 649 verses, it is known as
Arunachala Puranam. It is an exquisite original composition and
enjoys the status of a Sthala Purana (in Tamil) on the ‘story’ of
holy Arunachala (Tiruvannamalai).
Sthala Puranas record divine events, royal deeds and
people’s piety, all relating to a particular sthala, region. The
incident of Lord Siva appearing as a column of light, thus baffling the
forces claiming absolute doership, is perhaps the primal (and eternal)
act of Grace; for it contains Time itself in its womb. This story finds
mention in some form or the other in the Vedas and various
Puranas, and specific references to Arunachala occur in different
Sanskrit texts of antiquity.
The Arunachala Puranam excels the original in many a
place, especially where the poet revels in a description here or brings
to light there a subtle point easily ignored by the reader in the
original. In addition, the metre changes now and then, providing
instantaneously the atmosphere and rhythm which blend with the events
the poet seeks to convey through words. It is hoped that a reader not
acquainted with Tamil will get a taste of the Puranam through
these vignettes.
After the verses offering prayer to Ganesha and Nataraja, the
poet extols Arunachala as the fertile and sacred region where the Suns
and Moons, the Bhairvas, Vidyadaras, Devas, and those in charge
of the Eight Directions, the Nagas, great Tapasvins and
Munis, and Brahmas and Vishnus gather in such proximity that there
is no place left to prostrate, and so their wave-like cry of “Hara,
Hara!” drowns even the roar of oceans. The spectacle of the youthful
women of this place, tender breasted, with pleasing mien, and ornament
on either ear, makes one wonder whether a shining, cool, ambrosial moon
(their face) had arisen in day-time accompanied by two suns (two
ear-ornaments)!
Then follow verses praising Arunachaleswara (Siva), Unnamulai
Amman (Parvati), Ganesa and Subrahmanya. These are followed by obeisance
to the Tamil saints and finally to Nandi, Durga, Rishi Gautama and
Chandikeswara. The poet then ridicules his own attempt at singing a few
songs in the presence of eminent pandits skilled in composing songs
pregnant with the eight Rasas[1].
He likens his bravado to that of a mosquito trying to show a thing or
two about flying, in the presence of the Swan, mount of Brahma, and
Garuda, mount of Vishnu.
The wise, however, would accept without ridicule his feeble
attempts, because Arunachala is the theme of the songs, the same way as
water by virtue of admixture with milk becomes elevated; or as a common
thread becomes acceptable by virtue of being strung through fragrant
flowers.
On the Glory of the Arunachala Sthala:
Once, the sage Markandeya, leading a group of
Rishis, prayed to Nandikeswara to tell them about easy ways to cross
the Ocean of Samsara
and reach Mukti. The Lord deigns to reply that a dip in the holy
Ganges at Kasi (Benares) done in full faith, or shedding one’s mortal
coils there; being born in Tiruvaaroor (Kamalalaya); a glimpse of the
Dance of the Three-Eyed one at Chidambaram; a visit to Vriddhachalam
where Vishnu offered worship to Siva and received the Chakra as
boon; a pilgrimage to Kedarnath; Darsana of the Lord at
Mallikarjuna whom Brahma worships prior to every creation – all these
are ways to Mukti. Further, there is Kalahasti where Siva stands
as a hill in order that Vishnu, wearer of the fragrant Tulasi
garland, and Lakshmi, resident of the cool, honey-dripping Lotus, may
have His direct Darsana from their holy abode on the Tirupati
Hill. Not only that, He also resides on the hill of Kalahasti as the
Linga worshipped of yore by the hunter-saint Kannappar. Further
there are Kanchipuram of great renown, Kumbhakonam, Seerkazhi, Madurai,
Rameswaram and many more which lead to Mukti by mere virtue of
birth or death there or by worship of the Lord therein.
Hearing these words of Nandikeswara, Markandeya addressed him
as follows: Visiting these diverse places and offering worship and
engaging oneself in allied activities is quite a task even for the
long-lived gods and siddhas. What then can mortal men hope to
gain in a life-span brief as a flash of lightening? Worse still is the
plight of animals and birds, and hopeless indeed the fate of trees and
shrubs. I request you therefore to enlighten us about a place with power
to grant Release not only for trees, beasts and birds, but also for the
old, the inform and the lame among men for whom bathing in rivers,
pradakshina, ritual worship and namaskara are out of the
question. Please enlighten us about such a place in which any jiva could
be confident of kaivalya, Release.
When thus the Sage Markandeya, the vanquisher of Death,
worshipped with the other sages the Lotus-feet of Nandikeswara, the Lord
raised his palm in benediction as if to say: “I shall tell you!” However
the very remembrance of Arunachala in his Heart, prior to his uttering
that word, struck Nandikeswara himself speechless in non-dual bliss! He
sat still for long, with palms joined as if in prayer, hair standing on
end all over the tingling body, with tear-filled eyes, and in a trance.
Then as if awakening, he sang forth: “O Lord of Arunagiri, wearing the
Ganges in your matted hair! O Lord of Flaming Eyes, who ever overwhelms
us with your Grace!” He then proceeded to address the sages:
“Listen. There is a place on earth with grants
Deliverance to any created being, moving or unmoving, by the mere
remembrance of its sacred Name. It has innumerable names. Some of these
are: Gowri Nagara, Tejo Nagara, Arunachala, Sivaloka Nagara, Mukti
Nagara, Jnana Nagara, Sthaleswara (the Supreme among sacred spots),
Suddha Nagara, Dakshina Kailasa (Southern Kailasa), Sonagiri and so on.
Being the Spiritual Centre of Creation it draws the gods, sages and
Tapasvins, in short anyone who thinks
of it, to itself. There is a Hill there which stands in Krita Yuga
as a Hill of Fire, in Treta as one of Diamond, in
Dvapara as a Golden Hill and in Kali Yuga as a Hill of Stone.
When even Vishnu as a boar and Brahma as a swan had to abandon their
long-drawn search to find its beginning and end, can we hope to find a
Hill to equal Arunachala? The Sun, thirsting to sip from the springs on
this Hill, the water of which even the celestial
Ganges considers holy directs his chariot-horses to
leap over Arunachala daily!

When dense clouds of white surround its base, it
appears as though Arunachala were a rising peak amidst a snow-clad
Himalayas! To cap it all, the Deepam
which is lit on its summit during the cool month of Kartik seems
like a prominent diamond on a grand crown worn by Mother Earth. Why,
even Himavaan, the god of the Mountains, was once crest-fallen that he
had to give his daughter Uma in marriage to a mendicant, the
skull-carrying Siva. But leaping with joy when informed of how Siva had
once silenced Brahma and Vishnu by assuming the form of a Hill, Himavaan
exclaimed with obvious relief, “How wonderful to know that our
son-in-law belongs to our race after all!"
Reiterating the greatness of Arunachala, Nandikeswara
tells the assembled sages:
that even murderers, those of easy virtue, or the
disabled and those that live far away, are assured of
Mukti if they but remember well the holy
Arunachala once. The place is Sivaloka itself and its every pebble the
holy Linga; every tree and shrub there is a wish-fulfilling
kalpaka tree; every spring therein is the holy Ganges issuing forth
from the matted tress of Siva; to eat a morsel there is to partake of
the amrta of gods, a mere perambulation of it is pradakshina
of Earth itself. Any sound uttered therein is to utter Sruti
profound! Need we add that even to sleep there, is to be in Samadhi
supreme? Abandon therefore any possibility of finding an equivalent to
Arunachala!
Saying these words of praise Nandikeswara remained
still, where seated, immersed in Bliss. The sages prostrated again and
again to the Lord, themselves lost in it.
Then Markandeya, son of Mrkandu, came
forward and begged the Lord to narrate to them all, how the Arunachala
Hill came to be formed. Nandi was pleased to say, “If a wretch should
contemplate committing the pancha patakas, (the five sins of
murder, theft, falsehood, intoxication, and abuse of Guru)[2]
in that sacred place, he would purely by virtue of his remembrance of “Arunachala”,
be saved somehow, and led to Liberation. Such is the undisputed sanction
of the sacred scriptures. Would this Supreme Grace be then withheld from
those devoted, who seek to hear more and more about the Holy Hill? The
benefits are assured for my own self too!”
In what follows, Nandi describes Involution of Samsara,
as the process of merger of Brahma into Vishnu into Rudra into Maheswara
into Sadasiva. This entity in turn relapses into Bindu that into
Nada, and finally into Sakti which is Awareness
inseparable from Being, called Supreme Siva, Parama Siva. Srishti
Krama, the process of Evolution, appears in reverse, due to the very
nature of Supreme Being. During such an Evolution, when Brahma appeared,
he held in mind the idea of “many”. Almost instantaneously the
Prajapatis, progenitors of races, came into being. Through them
arrived in ordered succession the races of Adityas (Gods);
Daityas (Rakshasas), and Danavas (the demonic races of
Asuras); the intermediate beings called Kalakeyas, Gandharvas
and nymphs, Garudas, Panis (serpents), Kinnaras, the
Anthropoids and the great races of Rishis and Humans.
All this creation taking place by his mere contemplation of it
was sufficient to turn Brahma’s (many) heads. Puffed up with the pride
of omnipotence that seemed to be his, he decided to put Vishnu in his
place once and for all! (This was undoubtedly an oft-repeated occurrence
throughout the cycles of Creation. Forgetfulness of one’s Source has a
lot to do with this, surely. For, there are other accounts of a nascent
Brahma venturing out of the Lotus in which he found himself. After
climbing over many a row of petals and then sliding a while down its
seemingly endless stalk, he soon lost courage. Vishnu, from whose navel
the divine Lotus grew in the first place, restores Brahma to his ‘abode’
with full paternal concern. It was a very grateful Brahma who went ahead
with Creation on that occasion!) But things were obviously very
different now.
Deciding to take matters into his own multiple hands, Brahma
confronted Vishnu, as the latter lay on his Bed of Snake, and taunted
him thus: “It is very clear to me now, that I am the cause of all this
Creation that is taking place. So abandon any idea you may have that you
are my Parent. If it were not for my act of Creation, you would be
unemployed! Useless!” Vishnu spoke out: “My dear son! It does not befit
you to talk disrespectfully to your Parent.” Brahma, inflamed, let forth
much abuse: “Enough of this. Give up right away the hallucination that
you are the Great Preserver! Otherwise I shall create another one and
entrust him with your job.” When Vishnu replied rather casually as if
tolerating an errant junior, Brahma blew up in anger. “Oho! So you seem
to have forgotten that the wonderful Ocean on which you reside is merely
the accumulated sweat of my toils. Better hide yourself in it before the
Cosmic powers that I might well create, surround you and destroy you!
Hearing these wicked words Vishnu felt as if red-hot spears had
been driven through his ears. With mounting anger he laughed spewing
smoke, and after some thought replied, “Foolish fellow! You have neither
bothered to enquire about your origin, nor shown inclination to accept
my navel as your mother. Perhaps you assumed that as your parent I would
tolerate any amount of mischief from a toddler like you. Beware! There
is a limit to everything. The asuras Madhu and Kaitabha opposed
me, and, though they were born of my body-sweat, I destroyed them. One
cannot show mercy even if it be one’s own child that did wrong. Does
anyone shy from surgically removing a painful boil on one’s own body? It
is indeed comic that you consider yourself to be at the head of all
creation, when you are unable to fashion for yourself a head and replace
it – the fifth head, once plucked by Siva! Is it with these unenviable
credentials that you set about creating this world, which after all is
held aloft by Adisesha, my servant? And have you forgotten so soon that
you squealed for help when an Asura ran away with the Vedas,
and it was I who came to your rescue? I took the form of a fish then,
out of my own sweet will. Innumerable have been the times when I have
rushed to your succour by routing the Danavas whenever they tormented
you. One who has planted a tree is reluctant to uproot it even if it
turns out to be a poisonous one. Though I hesitate on account of your
being my son, I shall have to punish you if you persist in your
invective.”
Can fire subside by adding fuel to it? The exchange of hot
words culminated soon in each drumming on his own chest, and the two
circling each other like ferocious wrestlers, now advancing, now
retreating, now leaping to the ground, now getting close, and goring
each other with gimlet-eyes aflame with anger. All of creation went
hay-wire. Mountains crumbled to powder, galaxies blew up in explosion,
hot suns and cool moons disappeared enmasse. Rivers turned dry in a
trice, stars and nebulae scattered like confetti and the guardians of
the Eight Dimensions (Ashta Dik Paalakaas) feared the worst. Even
the gods, who are of steady gaze, found themselves wincing, shocked by
this sudden cataclysm. The fight for supremacy took a higher pitch with
the combatants delivering blows to each other in the cosmic Arena.
Punching each other, lifting the fallen one by his thighs and twirling
him rapidly before throwing him far and high, the two, near equals, kept
switching roles of victor and vanquished. The rise and fall of the
dark-hued Vishnu and bright-hued Brahma looked like night following day
amidst a pugilistic pell-mell.
The sequel is well: the sudden appearance of a blazing Column
of Light growing beyond the seven planes below and the seven above; the
search for its limits by the proud pair, which reminds one of an
ignorant child reaching out to grasp the moon reflected in the water,
Brahma’s lie; the eventual humbling of the two by the appearance of Siva
from the effulgence; His command proscribing all worship of Brahma on
earth, and His appeasement by the contrite couple, who sing His praise.
On the Holy Descent of the Divine
Mother:
Nandikeswara continued: Listen, O Markandeya! I shall
tell you how the divine Mother, Sati, came to be born as Parvati,
daughter of Himavan, the King of the hills, and how she was wedded to
Siva, the non-dual One, and how she came to be born on earth.
The Episode of Sati:
Daksha, the progenitor born
of Brahma’s right-thumb, was never too happy about the skull-carrying
Siva whom fate had decreed to be his son-in-law. He bore a grudge ever
since the latter had paid him, his father-in-law, no special attention
and respect in an august assembly where he had been Siva’s guest.
Soon he organized a Brhaspatisavana sacrifice,
inviting all the Twelve, the Eleven, the Eight, and the Seven[3]
and also the Serpents, Kinnaras, Yakshas and Siddhas, and
a host of sages. Vishnu and Brahma were there with their consorts.
Behold, my Lord Siva and Sati, being uninvited, were absent. When Sati
expressed to Siva her wish to attend her father’s great Yaga, sacrifice,
the Lord replied that they had not been invited. But knowing well what
was to follows, He smiled teasingly and said, “Go yourself, and come
back soon!” She reached her parents’ place. Her warm embrace of her
mother Asikini was rebuffed. Her misguided father uttered words mean and
mordant when she prostrated before him. Stung to the quick, Sati stormed
out of the place but not before cursing the precincts and the
participants to a moribund ravage.
Elsewhere, the crescent moon on the matted locks of the One
ever her other half, began to spew out heat, and out of His angered
third Eye emanated a fierce form that sent shock-waves through space.
Dark as a cloud, wearing an emerald crown, like a motile Meru mountain,
mouthing thunder and spouting virulence, Veerabhadra appeared with
bloating body and twitching eye-brows before Siva, saying: “Command,
command, command, my Lord!” Bidden to rout a rascally ritual,
Veerabhadra sped thither; the mighty hordes, the Siva Ganas,
close on this heels. With the hordes holding for him umbrellas
pearl-studded, Veerabhadra went forth on a 100-bull-elephant-drawn
chariot amidst the Ganas blowing war-calls from crores of
Conches. Furious at the considerable slight to their Lord, the Ganas
entered the Yagasala. The Lords of the Eight Directions clashed with the
irrepressible invaders. The field was but a blur of sword, spear, mace
and guided missiles. With the leisurely ease of Ammanai, a woman’s
parlour game, the Ganas made mincemeat of the Devas and their
celestial vehicles. There was a tense moment when eight of the Bhutas
fell and the rest stood in shock, but Veerabhadra cast eight projectiles
which drank the life-blood of some gods and wounded the rest. The rider
of the Cloud hopped off it in haste and took flight, changing himself
into a cuckoo. In shame Nirriti, Varuna, Vaayu, Kubera and Isaana showed
a clean pair of heels. Yama, lord of death, died, Agni, lord of the
leaping flames, had his seven hands severed like the round of births by
mere remembrance of Arunachala. Painlessly cutting away the ears of
milady’s mother with his laser-like Vajra, Veerabhadra confronted Daksha
who rushed at him drunk with sacrificial Soma and wielding an uprooted
pillar. It was a terrible scene, for the Yajamaana, the head of
the Yaga, was himself beheaded. In a trice the head went rolling,
and instantly, an impatient Gana went and gobbled it up!
Veerabhadra’s work continued: his wielded trident left a trail
of death where it went. The crowds of Rudras, Maruts, Vasus and
the groups of Rishis hiding behind bushes or on trees – none,
neither god nor goddess was spared. Veerabhadra and the Ganas
routed the ritual and the ritualists, putting to flight divinities who
had the temerity to attend a sacrifice to which their Lord, Siva, was
not welcome.
Noticing that Brahma kept creating more gods, Veerabhadra cut
off his hands, and impaled with the Trident the heads of the ten gods
that Brahma, crippled in hands, had created through mind. That done, he
took on Vishnu.
What follows may strike some devotees as irreverent, but we
should not forget that the Puranas are untied in their intent:
that, however exalted a power one may be, there is a price to pay if ego
emerges. And so, when Vishnu found his volley of arrows foiled by
Veerabhadra, he threw a sword which the latter broke with an arrow that
aped on to kill Garuda. With a face further
darkened by the turn of events, Vishnu[4]
hurled the space-warping Discus. Swifter than light, deadlier than
death, it sped toward Veerabhadra, and took refuge at his feet. Had not
Vishnu once offered worship of a thousand choice flowers to Siva, and at
the very end of it, finding himself short of a flower, readily offered
his own lotus-eye? Had not Siva presented him then with this Chakra,
discus? What wonder then? Vishnu vanished, reappearing as a boar, then a
lion and so on. Veerabhadra’s weapons proving invincible, he hid himself
as a fish deep in the ocean’s bowels. He who
had once swallowed the earth[5]
once again did it, hiding in its bowels. When Siva heard of all that had
happened through Veerabhadra, His anger was quenched. The lesson taught,
He revived all who had fallen prey to His wrath, and restored each to
his status quo ante bellum. What of Daksha and Sati? He who begot
Sati got a goat for his head. Sati, unable to bear the shame of being
called daughter of the one who insulted her Lord, had already taken her
life by her yogic will.
The Episode of Parvati:
Sati was reborn as the lovely child of Himavan (Lord
of the Himalayas) and Mena, in answer to their Tapas and prayer for a
daughter who would marry none other than Siva. How can I describe
greatness of the Tapas of Himavan and Mena which brought forth Sakti?
The Sakti which, while ever remaining as Para united with Siva, also
springs forth as Creative Energy Aparaa, giving birth to the
Seer-Seen duo and the Knowledge-Will-Action (Jnana-Iccha-Kriya Sakti)
trio. The Sakti from which pure Maya gives birth to the potential and
the manifest, the Implicate and the Explicate, the Nada and the Bindu.
The Sakti, the primal seed from which sprout powers of Cosmic Management
(called Brahma, Vishnu and Rudra).

Oh! The Tapas of Himavan and Mena to
have given birth to the Womb of all creation before and after! Lovelier
by the day the lass grew, like the waxing moon, and like the sugarcane
grown fondly by Kama (Cupid) for enticing the three-eyed One some day.
Narada, knower of arts, science and the Vedas, came there one day, and
informed Himavan that from certain marks that he had noticed in lovely
Uma, it was certain that she would soon develop a half-eye on her
forehead and a trident in one of her hands. The breast on that side
would gradually disappear. Half her emerald-green body would turn
coral-red, and half her lovely hair would turn matted. Himavan who was
overjoyed to infer from this that Uma was indeed the bride-to-be of
Siva, was further elated when informed that Siva, the eternal Celibate,
was for some mysterious reason performing Tapas very near
Himavan’s abode. (We however know that Siva somewhat dejected with the
loss of Sati took to a life of seclusion and meditation). Offering his
obeisance to Siva, Himavan bade Uma, assisted by her friends, to remain
there with the Lord and serve him with devotion.
There were other developments elsewhere. The demon Taraka,
empowered by Tapas, was making a hell of heaven. A shocked Brahma
found himself facing a high level team that looked quite downcast.
Deprived of their godly crowns, there they stood: Indra with his broken
Vajra, Isana with his blunted Hatchet, Yama with his Trident twisted,
and so on. “Taraka . . .” was all that they could stutter, in reply to
Brahma’s query regarding the cause of their ignominy. Seized by the
horrible threat from Tarakasura to the gods, Brahma advised: Abandon any
hope of saving the situation through individual efforts. This demon
Taraka had got the boon that he could be defeated only by a son born to
Siva the eternal recluse. Rather clever of him. So busy yourself
conjuring up ways to consummate the marriage of Shailaja (hill-born
Parvati) with the Celibate.
Returning to Amaravati, Indra had only to think of Manmatha,
Cupid, when he appeared before him asking: ‘Whose Tapas to you want
disturbed? Which damsel do you want stricken with my Arrows? Why this
sorrow-laden face?’ Much depended on what Mara (Cupid) could do.
Re-enacting the characteristic drama of new-found intimacy in times of
distress, Indra embraced his friend Manmatha with both his arms, and
according him an honoured seat, explained to him the role of Mara had to play in enticing Chandramauli[6]
from his austerities. Convinced that this was nothing short of asking
for the moon, Manmatha explained: ‘Who can disturb the Tapas of
the One who is ever beyond epistemology (means of knowledge) in the form
of sensation (Pratyaksha), mentation (Anumana, inference),
or citation (Sruti)? By the very Sannidhi (proximity) of
the consummate Virgin and the faultless Celibate, creation emerges,
stays, and merges, like thought-forms in Mind. Though He is described as
Tamasic, His Svarupa, essential form, is Fire. He cannot
be framed by form; nor can He, as formless, be circumscribed. Worse
still, I could do my Job only if I knew for sure that my target was a
male or that it was a female. Siva is neither male, nor females, nor
both! I am sorry. It’s beyond me to budge the Bull-rider.
Realising that the situation called for drastic measures, Indra
got up, and launched into heady adulation of
Ananga’s[7]
prowess. ‘Have you forgotten that it was by your amorous ammunition that
Vishnu got Lakshmi seated in His breast, and Saraswati took residence on
Brahma’s tongue? Why! Was it not due to our virile greatness that even
I, Indra, came to acquire a thousand eyes?[8]
Now clasping Kama’s arm with both his hands, Vajrabahu[9]
shot his bolt. ‘Please go for my sake! Success with Siva spells birth of
Skanda. And that means life again for all Devas. It is the
supreme moment for you! Please do not refuse. Grant me this one boon!’
Thus thoroughly seduced, Kama sped to Kailas, to move the
Immovable. Armed with bow made of sugar-cane strung with a row of
bumble-bees serving as bow-string, and his quiver of just five arrows
tipped with five fragrances, Mara marched on. Riding with his consort
Rati, on Southern Breeze that served as his fish-flagged chariot, and
with indulgent Spring as his Prime Minister, Kama sped on. While the
Moon wove its delicate web of lover’s light, the cuckoos sang atop trees
flush with flowers, and amidst the buzz of bumble-bees, emanating as
calls to war from conch-like white jasmines, and with flowers being
strewn about in honey-dripping flood all along the road, the female
warriors of Kama, capable of melting even iron, copper and stone with
their street talk, ambled on, holding in their hands, deadly harps that
played on heart-strings. The romantic Night was Ananga’s army of dark
elephants; the twinkling stars were the silvery decorations on the faces
and trunks of the elephants; and crimson sunset the Bindi-dot
adorning their foreheads. Parrots were the Cavalry, while warriors –
dainty damsels with doughty breasts and coral lips sauntered on swishing
their sword-sharp eyes.
Fearing a direct confrontation, Kama hid himself out of view of
the serenely seated figure of Siva and began to wonder what to do. He
saw Uma approaching, and was suddenly filled with renewed confidence in
having found a female accomplice. What was a crisis was not a cake-walk!
As he bent his sugar-cane bow – the poet makes a delightful play on
words here – Kama thought, “Even if this bow
of the form of sugar-cane, karumburuvam (Karumbu + uruvam)[10]
be broken in the bargain, why should I worry? Have I not the black
brows, karumburuvam (karum + buruvam) of Uma, to stand in as two more
brows!” What followed this is history. As Kama released the arrows, he
was burnt to ashes by a ray from Siva’s third Eye.
Later, leaving that sport, Siva returned to Kailas and calling
the sages to His side told them that Parvati was engaged in long
Tapas for gaining Him as her husband, and so He instructed them to
go to Himavan and inform him that Siva was happy to seek her hand in
marriage. Himavan and his family were thrilled to hear of this. The
auspicious date for the Supreme alliance was fixed and communicated back
to the Lord. Soon invitations were despatched to the near and dear – the
seven (kinds of) hills, the seven Oceans, Devas, Siddhas and
Rishis.
Soon thereafter the Oceans, the garland meandering Rivers, the
blue-mountain (Nilgiris) and other ranges, and Siddhas and
Munis and Devas began to arrive. The Eight directions on
earth were jammed with chariots and flags, the free space above was a
packed parking-lot for aerial limousines. The streets were filled with
garlands, festoons, and stumps of large-leaf plantains and areca palms
planted as arches over doorways. The fragrance of the civet-paste
obtained from the hills charged the environs. The pomp and circumstance
shamed Vishnu’s Vaikuntha, Brahmaloka, Kubera’s Alagapuri and Indra’s
Amaravati put together.
The ladies of the hills bathed the Bride in the waters from
Ganga. Her slim waist weighted with silken dresses, Uma was decorated
with ornaments of pearl and gem and garlands of fragrant flower, and
adorned with the Kasturi Tilaka on her forehead. Siva, habitual
wearer of the sacred ash, who scorched to ashes the flower wielding
Smara (Kama), now Himself was bedecked with flowers from the divine
Kalpaka tree! Aided by Brahma and others, who clothed Him in habits
studded with diamonds, Siva for once forsook from His neck and arms the
fearsome Snakes that concealed lustrous diamonds in their heads (maa
mani ppanigal neekki), and put on necklets and armlets of nine gems
(maa mani ppanigal pootti). Then sporting a brilliant bejewelled
crown that seemed as if the heavenly stars had all gathered at His
tresses to be near their Master the crescent Moon, and wearing
kundalas (large rings) that made it seem as if the Sun and Moon of
His eyes had taken residence just below His ears, the resplendent
bridegroom mounted the Rishabha, Bull.
When Vishnu best-man came near and uttered words of praise, the
Lord lovingly spoke to him; when Brahma, lord of the lotus-bloom,
approached in respectful obeisance, he was greeted with a nod of the
crown (that ‘contained’ the head of the Infinite); when Indra next came
forward singing a paean of praise, Siva the Plenum of Stillness bestowed
on him a special smile! The other gods followed, paying their obeisance.
Had the crescent Moon, nourished by the Ganges hidden in His tresses,
grown so large as to become the wide, white canopy held aloft above Him?
Were the two chowries (whisk fans waved by royal attendants) the
white spray of the Ganges and the Moon? As the Lord proceeded now
towards Kailas, Vishnu, Lord of Lakshmi, followed with the betel-bag,
Indira, king of the celestial Kalpaka, carried the Tambula-vessel
to receive the red remains, Brahma fanned, while Narada’s sweet strains
and the drone of his divine Tambura floated afar. Yama was just a
wee bit behind bringing the wooden Sandals; while Vayu was busy burning
Sambrani (incense of fragrant benzoin) and Isana duly carried in
velvet the regal Sword.
While Saraswati and Lakshmi sprinkled holy rose-water on all
the guests, the divine damsels bore bags holding rare garments, the
Naga nymphs came carrying apparel sewn with all sorts of gems; and
the Kinnaras playing on their lutes, and the Vidyadaras singing in
chorus “Pallaandu, Pallaandu” (Long Live!), and the clang of cast
bell, the rhythm of diverse drums, the crash of cymbals and solemn siren
of conch was a son et lumiere truly for the gods! As the Lord
rode through the city of Himavan, the women along the streets feasted
their eyes on the One who would marry their princess. Some said: “Ah!
Uma’s Tapas has not been in vain” Some craned curious necks
wondering”: “Which is the eye of fury which burnt up Cupid?” Some other
pronounced: “All the archery of Ananga (Kama) is to no purpose really,
for all of Creation remained placid to his passion as long as Siva
remained in Yoga. On the other hand, even with Kama no more, all
are now aquiver with ardour merely by the
Pinakin[11]
(Siva) bestirring himself to desire. Surely it is He who is the primal
Cause of pining Passion!”
Himavan leading his mountainous Family came forth and welcomed
the Groom and his swelling crowds amidst much bonhomie and mutual
embrace. With Brahma giving Him a helping hand, the Immeasurable, beyond
beginning and end, alighted from the Bull-mount. The waving of
saffron-water and light followed. Then, resting His right hand on
both hands of the best-man (Vishnu), the Lord proceeded to the hall of
marriage, and took the Groom’s seat before the glowing Fire. With their
ample breasts announcing their origins, the maidens of the mountains
conducted Kali (Parvati the black beauty) the embodiment of Grace, as if
she were a delicate flower, to the right side of her consort. As the
moment of Muhurta neared, Brahma progenitor of the Vedas,
now as the chief Priest, voiced them once again. The Ritual came to a
close when the Primal One offered puffed rice to the ghee-fed
flames, and then, chanting the crucial mantras circumambulated
the Fire (his own essence), holding the hand of the Virgin,
Mother of the seven Worlds.
When the gods gathered to pay their obeisance to the
newly-married, the Lord acquiesced to their combined entreaty, and, to
the delight of Rati, resurrected Kama from the ashes, now Ananga
(bodiless). The Marriage over, the gods dispersed, each returning to his
or her station in the cosmic Scheme.
Ganesa and Subrahmania were born soon thereafter and while the
gods, who had suffered long enough, watched in suspense; Subrahmania
waged war with the redoubtable Tarakasura and destroyed him with his
valiant Vale (Spear).
On the Blind-Folding of the Lord:
The Newlyweds would have tiffs, then make up; garland
each other, listen to their praises sung by the Rishis, play on
the Veena; dally in spirited sport or pass time in games, winning
and losing them to one another. On one such occasion Parvati asked her
Lord, “Won’t you tell me what the Moon and Sun are?” He replied, “Dear
lass of lush Lips! The two lights are but my Eyes!” Thinking that he was
teasing her, the mother of Kartikeya went behind him and, without any
warning, closed his Eyes. The momentary closure meant aeons of darkness
for the gods. All of embodied life behaved as if born blind. Aye! Order
and organisation broke down in the absence of the Eye-energy. In what
was a trice for him, the Lord opened the Third Eye on his uncovered
fore-head. The Destroyer had turned Life-giver! As Gauri drew her hands
back, the three Eyes shone like the three Vedic fires (dakshina,
garhapatya and ahavaneya) powering the ‘unplanned’ power-cut. When
Parvati begged for forgiveness Siva replied, “You are ever taintless and
beyond Karma. However, if you desire to set an example of
purification, go to Kanchi which is greater than Kasi, Avanti, Dwaraka
and Mathura.” Narrations of the holy Mother’s Tapas at various
places are scattered through the Puranas. Was the Lord now
advising her of the superiority of Kanchi over those places of her
earlier visits?
What follows is well known. From Kasi Parvati reaches Kanchi;
makes a sand-Linga by the Kampa River and worships it day and
night. The Lord wills a flood in order to test her devotion. She
embraces the Linga in protection unmindful of her own fate in the spate. Pleased, the Lord appears before her,
“with his shoulders bearing the marks of the Pandya king’s cane[12],
his feet the marks of crowns of countless gods, his chest, embraced
recently, bearing the mark and sandal-scent of Parvati’s breasts and
bangles”! She requests for the ultimate boon of Idappaham, of
being his left Half. The ultimate asking; the adviteya. The
Ultimate, giving, said, “purified in Kanchi, proceed now southward to
holy Tiruvannamalai. Resident as the primal Linga contracted to a
Hill; there I shall grant this boon!” Parvati, wise after the event,
said, “Following your advice I came to Kanchi ‘superior to Kasi’. And
now you mention Arunachala! Please let me know right away if more places
exist!” The Lord gave her his word that the Tejolinga (Arunachala)
is the Terminus.
Enroute to Arunachala from Kanchi, Parvati encamped for the
night at Seyar, the Son’s River. It was here that Lord Subrahmania got a
hut made of plantain trees for Her rest and the following morning
enabled with a thundering arrow, a river of pure water to flow for Her
ablutions.
Passing then through paddy fields Parvati reached
Tiruvannamalai. After obeisance to the Lord at the Temple to the east,
she began to look for a spot to purse Tapas. At the nearby
Pavazhu Kunru, Coral hillock, a spur of Arunachala Hill, she met the
Rishis assembled at the Sage Gautama’s Ashrama who sang
the praise of Mother Parvati.
“Bringing forth the Eternal Siva from within you, you appear
then within Him as the animating Sakti! With this, They mysterious
nature (of Siva-within-Sakti-within-Siva), you procreate your multiple
jivas. Is there anyone capable of finding out your nature which
for ever remains non-dual!”
“If the Supreme Reality of Siva becomes Maheswara, Rudra,
Brahma and Vishnu you become simultaneously the Saktis known as
Maheswari, Rudri, Saraswati and Lakshmi. Other than these should He
assume any ‘other’. You become correspondingly. Is there anyone capable
of knowing you!”
When the Munis and Rishis were praising Parvati
thus, Gautama arrived, and coming near Her with hands raised above his
head in supplication, prostrated before her lotus-like feet.
Gautama, lofty in devotion, then addressed Her to Her delight,
“What immense good have I done that Thy divine feet, that even Brahma
(the First-born) and the Ashta Dikpalas (the sentinels of the
eight Quarters) cannot hope to place on their heads bowed low, should be
gracing this most humble abode of mine!”
Hearing this, Parvati, gentle as a creeper, said, “Should need
arise I shall go to the Spear-Wielder (Subrahmania), or the Tusker (Ganesa)
to remove my want. Or else I shall come to you, dear son, who have such
love for me.”
She then related in detail all that had taken place till then
during her penance on earth. Hearing the Mother of all speak thus,
Gautama who had (by a curse) bestowed on Indra, doer of a hundred
Yagas, in times of yore a thousand eyes, spoke as follows:
“This Abode, the primal One, is known as the Abode Supreme and
is sacred par excellence. One good deed done here multiplies manifold of
itself. Therefore do Thou conduct ardent penance here. They Lord will
then surely come on His bull-mount and reabsorb you as His left Half.”
“(O Mother) even Vishnu, Brahma, the Vasus, Indra, and a host
of Munis had in days gone by, made their dwelling here and completed the
penance of solitude. The place is right and the time auspicious. Thy
penance is thus assured of success.”
The sage Gautama told her, “This holy place
is ideally wooded for a radius of two yojanas (18 miles) and
teems with life and life-giving streams. The distraction of crowds of
gods and siddhas that frequent this Hill for worship has made me
take shelter in the thick but secluded forest of this spur. Therefore do
you too choose a spot nearby!” (The Purana indicates clearly that
Gautama’s Ashrama was at Pavazha Kunru to the east and that
Parvati did Tapas near his Ashrama. This is also consistent with
later events: she kills the demon and cleanses herself at the Khadga
Tirtha which lies near the spur she then begins, the pradakshina
of the Hill from the east, and completes is there). Then the Mother
Supreme, the Womb of all creation said, “Indeed I shall do Tapas
here and gain my end.”
On the Episode of Obtaining Idappaham, Merger:
Indeed the aranyakas, forests, are the
fountain springs germinating and sustaining all that is best in Vedic
wisdom and life. The Light of the Upanishad was communicated
under the shade of the silent tree. Parvati began her Tapas in
the forest of Tiruvannamalai, then home to Nature’s wild splendour.
Could such magnificence escape the malefic marauder? The troops of the
demon king Mahishasura came from afar to capture the wild elephants, and
to hunt for flesh and fancy the wild board, bison, leopard and doe which
roamed free in the forest, alert and aware. Mahisha’s lusty letter to
Parvati led to her warning him, “This is the residence of those
committed to the ideal of Dharma. Those who misuse their
advantage to evil ends here will lose their ease and die diseased, all
their strength and authority wiped out. Do not incite Lord Arunachala,
fiery by nature, towards anger, lest you should be destroyed. Beware!”
(The events that followed are well known and we shall confine
ourselves to certain interesting aspects alone). In the battle that
ensued, Mahisha, the buffalo-headed demon, proved redoubtable to Durga,
the militant emanation from Parvati. When decapitated, the ‘buffalo’
took the form of a mad elephant. Beheaded, he went on successively
taking the forms of a horse, of darkness and even appeared before her as
Brahma and Vishnu. Then Durga prayed to Uma in her heart. The Supreme
directed her to continue till the Asura assumed his original
buffalo form. She was then to cut off his head and hold it under her
foot. Mahisha met his end thus.
After slaying Mahisha, Parvati went in pradakshina of
the holy Hill. Half-way, near the west, the Lord gave darshan on
his bull-mount. Her going round the Hill was like Parvati’s earlier
circumambulation of the sacred Agni on the day of her Marriage! As she
neared the east completing her pradakshina, the Lord absorbed her
as his left-Half.

..................................................................................
[1]
Romance,
Valour, Humour, Compassion, Ferocity, Disgust, Wonder and Fear.
[2]
Murder:
To ascribe birth to oneself. Theft: Illegal appropriation of false
individuality. Falsehood: To
believe “I am this limited, evolving body-mind”.
Intoxication: Self in search of happiness and Self-
realization. Abuse of Guru: Not surrendering
individuality while prostrating to Siva or Self.
[3]
Adityas, Rudras, Directions, Rishis, respectively.
[4]
As Krishna, he is already dark.
[5]
A leela of Krishna.
[6]
Siva with the moon in his matted locks.
[7]
Kama,
the bodiless; called so here in tragic anticipation!
[8]
Indra’s
caper with Ahalya earned him this curse from Gautama Rishi.
[9]
Indra,
wielder of the Vajra, thunderbolt.
[10]
Buruvam (also pronounced as
puruvam) is the Tamil for the Sanskrit bhruva (Brow).
[11]
Wielder of the Trident (Pinaka).
[12]
See
Tiruvilaiyadal Puranam.
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